Unpacking rumor Kristi Noem had affair with Corey Lewandowski
Aug. 20th, 2025 01:30 am![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
A few days ago, I got a text from Bryant saying that he had kittens under his car, and that I simply must come see them immediately. So I booked it over and lo and behold there were two kittens underneath his car! There was a calico and a tuxedo, and both were very shy and very hungry. It was so hot outside, and Bryant’s car was one of the few spots of shade in the area, so I can see why they’d hide under there.
I had a sneaking suspicion that there were more around. Where there’s two kittens there’s five, or something like that, anyway. Sure enough, it wasn’t long after feeding the two skinny kitties that another came running, seemingly appearing out of thin air. This one was a diluted tortie, and she parked herself right next to her siblings underneath the car. I could hardly believe three kittens had spontaneously appeared, but I was so thankful that it happened to be under the car of one of the biggest animal lovers I know.
We weren’t really sure how best to handle this situation, and while we were thinking it over, the tuxedo ventured out from beneath the car and ran behind the apartment into the woods. We decided to follow him and see if we could catch him now that he was out from underneath the car.
While we followed him down the trails of the forest, getting eaten alive by bugs, wouldn’t you know it, a black kitten appeared:
Had the three from under the car originated from the forest? Or had the black one been under the car with the other three originally and ventured to the woods like the tuxedo ended up doing, too? Either way, I was shocked to see another one, and thought surely that this was the last one of the litter.
This new one was different from the other three. While the calico and diluted tortie were absolutely terrified and skittish as hell, and the tuxedo wasn’t much better, the black one was incredibly friendly in comparison. In no time at all, the black one was following us around like a shadow, and was even willing to be pet and purred the whole time. Shortly after, he was even okay with being picked up and petted like any normal household cat. It was like he wasn’t even a stray, really.
We had the food set out by the car still, and wanted the black one to come get food, so we had him follow us back around to the front side of the apartment, where he reunited with his siblings under the car.
In the couple days that they have been at the apartment, we’ve been working on figuring out a rescue plan. I called multiple rescues in the area and asked if they can send someone out to collect them, as we are not certified kitten wranglers and don’t want to hurt or scare them, but none of the rescues offered that type of service.
For now, they are being fed and watered consistently, and there have been pretty impressive strides with how close the kittens have started to get. Still, the only one that enjoys being pet and actively seeks out affection is the black one, but the calico and tuxedo are becoming much more acclimated to human presence, it seems. The diluted tortie is without a doubt the worst case, still extremely skittish and frightened.
Even though it would be super easy to catch the black one, and even the tuxedo, the other two still seem uncapturable for the time being, and we don’t want to separate them. We figure the best course of action is to keep trying to get them comfortable enough until all of them are snatch-able.
I had an idea to try and hand feed them with tubes of food, like I’d seen so many times in cat rescue videos on Tik Tok. I figured it would help them trust us, and make it so they’re within hands-reach to make for easier snatching. Other than the black one, they preferred to eat it only when we squeezed the contents out onto the ground for them to eat at a further away from us distance:
Look how close the calico was! This was huge progress:
THEY’RE SO CUTE I LOVE THEM SO MUCH:
We want to rescue these babies so badly, while still keeping them together. We just aren’t experts, but we’re doing our best and making sure they’re fed for now, at least.
I expect some questions about logistics and whatnot, so here’s some pre-answers:
The car that they’re under is Bryant’s car, but it hasn’t moved from that spot in three years. He drives a different car, so don’t worry about him having to like, move the kittens’ shelter. It ain’t going anywhere.
Bryant is the only tenant at his apartment, there’s no neighbors to inform of these kittens, only the landlord, which he did.
I’m not sure which of the many rescues in the area would be best to take them to when they’re eventually caught, so please let me know if you have recommendations for kitten shelters in the Dayton area!
Aren’t they so cute?
Which would you love to take home with you (I want all of them)? Let me know in the comments, and have a great day!
-AMS
Escapism through reading fantasy is something we’re all familiar with, but is it always the best idea to ignore the rest of the world and to some extent, yourself? Author Michelle Knudsen explores this idea in the Big Idea for her newest novel, Into the Wild Magic. Come along to see how Knudsen weaves a message of morals throughout the magic.
MICHELLE KNUDSEN:
I never really know what a novel is about when I start writing it. I usually begin with a scene, a couple of characters, and the vague knowledge that something magical or horrible or supernatural will happen. Sometimes I write the scene and it goes into the metaphorical trunk. Other times, I feel that tingle of yes that makes me want to keep going. In this case, I wrote a scene between two girls in a schoolyard. I didn’t know anything about them or what their story would be, but I knew I wanted to know more.
Those two girls turned out to be Bevvy and Cat. Bevvy is lonely and bullied and longs to escape into her fantasy books. New girl Cat, we soon discover, has the ability to open portals into another world. She avoids using her power, for Reasons, but is soon forced to open one of her portals, dragging Bevvy through with her. The story has all the exciting things I love to put in my novels: magic, monsters, adventures, battles, strange creatures, complicated people, dangerous situations. It’s about the girls, their various secrets and fears, and their attempts to get back home. But underneath all of that, it’s about connection: about what it means to have a friend, and to be a friend, and how to find connection when it seems forever out of reach.
Like (I assume) many speculative fiction writers, I lived in fantasy and science fiction as a kid to escape the realities of middle school and high school life. I wasn’t Bevvy; I was lucky to have some really good friends, but I definitely also had times where I felt very alone, like there was some reason I wasn’t able to connect with others, like there was maybe something wrong with me. It was fantasy and science fiction that got me through. Not just because of the fantastic or futuristic elements (although yes, those too!), but also because of the characters who existed in those incredible worlds and the larger-than-life struggles that brought out their truest (and often best) selves.
I still believe that a lot of what I learned about being a good person came from the books I read back then. They were fun and full of adventure and magic and robots and spaceships but also they were stories of people facing danger to help or save those they loved. They contained characters who showed up for each other in extraordinary ways, who loved each other despite none of them being anything close to perfect. They brought me hope that there were lots of ways to connect with other people in the world.
I write stories for all ages, and in my picture books as well as my novels, I find myself returning to themes of friendship and unconditional love and finding a place where you belong. Sometimes that place can be a person. Or a lion. Or a group of bunnies you thought you had nothing in common with but then you all bond at the monster truck show and you realize with unexpected joy that you now have a tiny, fuzzy friend-family for life.
Part of the secret is always finding those who get you, who see you for who you are. But the other part is being able to see yourself, to accept that you are worth the love and friendship of other people (or lions, or bunnies).
Bevvy starts this story wishing for a friend: just one. I don’t think it’s too much of a spoiler to tell you that she finds one, but more than that, she learns to be friends with herself. The magical world she encounters is way scarier in person than in books, and she has to navigate her new relationship with dodgy, difficult Cat while running for her life, facing danger, and getting swept up in a magical war. Even more frightening, she must make some hard moral choices that could mean losing the friendship she so desperately wants.
Bevvy has to figure out who she really is and attempt to arrive at the place I hope all of us can eventually get to of deciding we are worthy of love and affection. And that we deserve to surround ourselves with others who feel the same way.
Into the Wild Magic invites middle-grade readers to escape into a fantasy-world adventure, but I hope it also helps some of them think about the kind of person—and friend—they really want to be. (And also that they love the dragons and the tree magic and the kitten and the dog and the giant moths and everything else!)
Into the Wild Magic: Amazon|Barnes & Noble|Bookshop|Powell’s|Lofty Pigeon Books (for signed/personalized copies!)|Kobo|Libro.fm|Audible
Author socials: Website|Instagram|Bluesky|Facebook|Newsletter
Read an excerpt.
To begin, Seattle 2025 was a lovely Worldcon! This year I was not up for anything at the Hugos, nor was too much expected from me otherwise — I had a couple of panels, a reading, a signing and a dance to DJ, which was all easily done over the course of five days — so most of my time was spent hanging out with friends, mostly at the Hyatt Regency bar or at restaurants. This was an optimal state of affairs. Krissy and I also got out into Seattle itself and did some of the usual touristy stuff, and that was delightful too.
Worldcon did what Worldcon does, which is to be the place where you get to see a bunch of people you only see once or twice a year, and catch up and renew those friendships until you see each other again, possibly at the next Worldcon. Plus I got to say hello to a bunch of fans of my work, and possibly make some new fans by being on panels and such. Also my dance went off very well, which makes me happy. I love this absurd thing where I have become a draw as a DJ. It is the most random of my side quests, I have to say.
In short: A fabulous time. I will be there for the next one, next year, in Los Angeles (actually Anaheim, but never mind that now).
Also, congratulations to this year’s Hugo, Lodestar and Astounding winners! It was a good year all the way around.
Back at home this morning, as I was thinking about this Worldcon write-up, it occurred to me that this year was the 10th anniversary of the height of the “Sad/Rabid Puppy” nonsense, in which a bunch of ideologically and/or ambition-inspired persons brigaded a number of titles and people onto the Hugo finalist lists and were rewarded with literally nothing for their efforts. At the time it made a lot a noise and there was a lot of handwringing about it and what it meant, both at the Worldcon and outside of it. Ten years on, a round number anniversary and so one where it might conceivably be on the minds of people, there was… nothing. I heard no one speak about it at this year’s Worldcon, and as far as I could see there were no panels or other discussion about it. It wasn’t as if people feared to speak its name, mind you. It just literally never came up, in any context at all. I mean, I didn’t think about it the entire time I was at Worldcon. From a practical point of view, it was just not a thing.
If I were to hazard a guess about why this is, I would say it comes down to two things. One, the event was ultimately about publicity, not literature; leaving aside the few works by non-puppies that were dragged into the controversy by the organizers to be shields (or bullet sponges), very little on the Sad Puppy slates would ultimately be part of the conversation the genre has with itself. From a creative point of view, there was almost nothing anyone wanted to take out of those finalist lists. Two, as a publicity vehicle, it appears mostly to have backfired. Ten years on, among those who were at the time traditionally-published, the most commercially successful member of that cohort is the one who was already the most successful a decade ago; many of the rest appear to have chosen to explore the potential of independent publication. None of them appear to be notably better off, in terms of book sales or professional reputation, than they were a decade ago. Meanwhile, many of the writers they railed against appear to be doing quite well; this is correlative at best, rather than causative.
(There is also the fact the Hugo process was amended to disincentivize slating, and the general truism that an action plan that actively includes being raging shitheads means that you’re seen as raging shitheads whether you achieve your objective or not. But it’s mostly the two things above.)
I would note I don’t think there should have been any great discussion of the Puppies phenomenon at this year’s Worldcon; ten years on, the event and its principals had the attention and reputation among Worldcon participants that they rated. And I find it encouraging that a community confronted with bad actors who showed contempt for who that community was and what it valued were able to counteract those actors, move past them and then, essentially, leave them in the dustbin of their community history. One can hope those lessons might be applied at larger scale, sooner rather than later.
— JS